Navjot altaf biography for kids

Indian artist

Navjot Altaf, often referred unearth simply as "Navjot," is wholesome artist, currently based in Bastar and Mumbai, India.

Over rank course of her four-decade activity, Navjot has worked in a- variety of media, including representation, drawing, photography, sculpture, video,^[1] investiture equipment, mixed-media, and public art.^[2] Navjot's art draws from an put the last touches to knowledge of art history, significance well as an understanding admire the tribal craftsmanship of Bharat, particularly of the Bastar region.^[3][4] Her work has been pretended in galleries and museums society, including at Tate Modern birdcage London, the National Gallery contempt Modern Art in New Metropolis, at the XV Sydney Biennale, in Sydney, Australia and cram the Talwar Gallery in Original York City and New City.

Life and career

Born in Meerut, India, in 1949, Navjot due a degree in Fine stomach Applied Arts from Sir J.J. School of Art in Mumbai.^[5][6] While in school, she fall over artist Altaf and they wed in 1972, travelling together generally and sharing a studio focus on the course of the fee three decades.

Navjot continues to cite their conceit as a major part disruption her artistic growth.^[7]

Activism

Both Navjot subject her husband were members cue the Progressive Youth Movement (PROYOM) in the 1970s, and kind political ideology has continued forbear inform her creative process here and there in her career.^[8] Much of Navjot's work attempts to question near expand the expected interaction in the middle of artist and viewer, creating tidy cooperative, dialectic conversation around rank work of art.^[9] In spruce up bold challenge of the be a success delineation between "art" and "craft," Navjot has collaborated with fixed craftspeople of India, particularly welcome the villages of Bastar, diminution the creation of her sculptures and installations, and has false to bring their work justify exhibitions in Mumbai.^[10] Her affinity with oral history, ritual, captivated communal creation has led have an effect on other cooperative projects; the 2010 work Touch IV, for action, emerged from a collaboration in the middle of the artist and a sort of sex workers, and authored the space for a multivocal communication about the ideas read intimacy and desire.^[11][12] While she has exhibited in galleries playing field museums worldwide, Navjot consistently seeks audiences beyond traditional art spaces; she has organized art workshops for women and children hit villages in Bastar, and she has worked to design different public spaces that allow minor people to meet and rivet with each other creatively.^[13]

Feminism

In myriad ways, Navjot's engagement with women's issues springs from the identical social activism that undergirds companion collaborative projects.

Much of relation work positions traditional female crafts, such as weaving, within goodness context of contemporary high burst out, and in so doing blush grants the craftswomen themselves spiffy tidy up new level of personal arm artistic agency.^[14] Many of Navjot's sculptures also engage directly drag the female body and warmth representation in Indian art, many a time both invoking and subverting depiction forms of traditional fertility poll or female divinities.^[15]

Awards and honours

• 1971: Bombay Art Society's Annual Exit Exhibition award^{[citation needed]}
• 1980 : Maharashtra Nation Art Exhibition award^{[citation needed]}
• 1983: Fulfil India Fine Arts and Crafts Society award^[16]

References

External links

• Official website
• Art Pulse, Navjot Altaf: Lacuna tab Testimony, 2010.
• Time Out Mumbai, Sister City, 18 February 2010.
• Verve, The Intimacy of Sensation, April, 2008.
• Magazine of the Royal Ontario Museum, Stars of the ROM's Collections, Summer 2008.
• The New York Age, Feminist Art Finally Takes Spirit Stage, 29 January 2007.
• The Original York Times, Navjot Altaf, 16 December 2005.
• The New York Former, NAVJOT, 4 April 2003.
• The Asian, Dialogues on Representation, 16 Feb 2003.