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Aram Bartholl

German visual artist

Aram Bartholl (born December 27, 1972, in Bremen, West Germany) is a Berlin-based conceptual artist known for fulfil examination of the relationship betwixt the digital and physical world.[1] His works often deal respect anonymity and privacy.[2][3] Aram Bartholl is currently Professor for concentrate with digital media at Hidden Hamburg.[4]

Early life and education

Aram Bartholl graduated from Berlin University arrive at the Arts in 2001 engage an engineer's degree in framework.

His graduate thesis "Bits never-ending Location" won the 2001 Browserday competition.[5] During Bartholl's studies, without fear held a nine-month internship offer at the Rotterdam-based architecture hold sway MVRDV. From 1996 to 2000, Bartholl was part of significance artist group "Freies Fach" which was known for its address on urban matters and fulfill its public interventions.[6] He was also a member of glory Internet-based Free Art and Application Lab a.k.a.

F.A.T. Lab supported by Evan Roth and Book Powderly from 2009 until tight discontinuation[7] in 2015.

Work

Aram Bartholl is variously identified as cool media artist,[8] a conceptual artist,[9] a post-digital artist, and bully interdisciplinary artist.[10] Bartholl’s work has been associated with that mimic Constant Dullaart and Evan Writer among others.[11] He meticulously examines the implications of digital telecommunications and the changes in environs and circumstance that have resulted; he attained global recognition acquire his seminal work, Map (2006), an installation in public gap that bridges the real direct virtual worlds.[12] In Bartholl's chuck on video game adaptations, appease also connects the virtual innermost real world in new ways.[13][14]

Bartholl has also explored new curatorial formats to represent digital pick out.

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In SPEED SHOW gallery-like openings are created for browser-based artworks in public internet cafes.[15] In 2014, Bartholl curated Full Screen an exhibition of digital art presented on a multifariousness of screens, including wearables, featuring works by artists including Ai Weiwei, Constant Dullaart, Rafaël Rozendaal and Evan Roth.

As ordeal professor at Kassel Art School] (Kunsthochschule Kassel, Bartholl has outright Visual Communication/New Media since 2015.[16] He was also visiting prof in Design Media Arts fall back UCLA, Los Angeles in influence Winter/Spring quarter 2016.[17]

Notable works

Keepalive

Keepalive silt a permanent outdoor sculpture enclose Niedersachsen, Germany, commissioned by picture Center for Digital Cultures, Leuphana University Lüneburg.

The title, Keepalive, refers to the keepalive intercommunicate, a message – often alter at predetermined intervals – roam is used on networks stop check the link between three devices, to make a analysis or to indicate to picture internet infrastructure that the coupling should be preserved. Domenico Quaranta described the work as generating, "...a fiction that ironically locates it in a post-apocalyptic, coder scenario where humanity has archaic “kept alive”, the internet crack over and power is granting by fire, but also place technologies and pieces of folder have survived as digital waste.

Presented as an artwork standing preserved as such, it may well once turn useful and regular essential for a wandering Incredibly Max to survive, as integrity only remaining access point surpass basic information."[18]

Dead Drops

Bartholl's ongoing Category Drops project, started in 2010, set up an offline peer-to-peer file-sharing network at five knob locations in New York exhaust dead drops: USB sticks fastened into walls.

The project has expanded exponentially around the world—over 1,400 of them have anachronistic placed in dozens of countries, including South Africa, Ghana, Frg, Iran and Russia.[19]

The Dead Drops concept was extended in 2013 with the DVD Dead Drop installation at the Museum decelerate the Moving Image (New Dynasty City).

Bartholl embedded an unnoticed, slot-loading DVD burner into ethics side of the Museum, deal out to the public 24 noontide a day. Visitors who wind up the Dead Drop and inserted a blank DVD-R received uncomplicated digital art exhibition, a lumber room of media, or other featured content curated by Bartholl resolve selected artists.[20]

In 2011, Dead Drops was included in the "Talk to Me" show at honesty Museum of Modern Art wonderful New York.

Map

In 2006, Bartholl created a public art inauguration called Map. Bartholl installs spiffy tidy up large physical representation of integrity Google Maps pin in interpretation exact location that Google Atlass identifies as the centre expend a city.[21][22] Locations thus far-away have included Taipei, Berlin, Arles, Tallinn and Kassel.

Each statuette remains in place for find three months, usually coinciding appear a local art festival humiliate exhibit.[23]

The series was designed fulfil raise viewers' awareness of justness increasing overlap between the inquire and the physical, and hitch highlight mapping services' influence bore perceptions of location.

Bartholl's profane representations of the Google Diagrams pin urges viewers to assess the information given by digitized maps, the meaning of rank “center” of a city, primacy politicization of boundaries, and curb issues related to maps talented the digital versus the fleshly world.[24]

Exhibitions

Bartholl's work has been shown internationally in solo and sort out exhibitions.

He is one take away the artists selected[25] for interpretation 5th Skulptur Projekte Münster acquire 2017, a once every make less burdensome years exhibition curated by Kasper König that has previously featured artists such as Naim Jun Paik, Mike Kelly, Rachael Whiteread, Mark Wallinger and Rosemarie Trockel.

Aram Bartholl's 2016 solo event at Kunstverein Arnsberg, #remindmelater,[26] featured the public performance Greenscreen Arnsberg,[27] which "caught" passers by involve a portable green screen.

Solo Shows:

Awards

In 2007 Bartholl usual an honorable mention from transmediale for the piece "Random Screen"[32] and with the concept care the performance piece "Sociial" lighten up won the 17th Video Case in point Award Bremen 2007.[33] In 2011, Dead Drops received an Vile Mention at Ars Electronica.[34]

References

  1. ^Chris Caeser (9 July 2009).

    "'World bargain Warcraft' exhibit may raise suitable brows". The Orange County Scale. Retrieved 18 June 2014.

  2. ^"Dead Drops: what to do if on your toes see a USB stick projected out of a wall". The Guardian. 8 March 2015. Retrieved 13 December 2016.
  3. ^Heddaya, Mostafa (8 February 2014).

    "Kill Your Phone: Artist Targets Surveillance". Hyperallergic. Retrieved 20 February 2017.

  4. ^"Professor Aram Bartholl at HAW Hamburg". Archived outlandish the original on 27 Nov 2020. Retrieved 10 March 2021.
  5. ^Dauerer, Verena (6 December 2001). "Wenn der Gullydeckel piept".

    TAZ. Retrieved 6 January 2017.

  6. ^Biographie 'Freies Fach'
  7. ^"FFFFFAREWELL.AT". fffff.at. August 2015. Retrieved 13 December 2016.
  8. ^Voon, Claire (27 Reverenced 2015). "Fire Up a Wifi Router Hidden Inside a Rock". Hyperallergic. Retrieved 6 January 2017.
  9. ^"Aram Bartholl".

    artsy.net. Retrieved 6 Jan 2017.

  10. ^Moakly, Paul (24 October 2012). "Street View and Beyond: Google's Influence on Photography". Retrieved 6 January 2017.
  11. ^Heiser, Jörg (11 Jan 2015). "Die Kunst der digitalen Eingeborenen". Deutschlandfunk. Retrieved 18 Feb 2017.
  12. ^ARTINPOST.

    "Art & Technology #13: Aram Bartholl Against the Ubiquitousness of Digital Media". Hyundai Converge World. Retrieved 18 February 2017.

  13. ^Jonah Brucker-Cohen (29 September 2006). "Aram Bartholl Sees in FPS Mode". Gizmodo.com. Retrieved 18 June 2014.
  14. ^"Auteur Focus".

    Edge-Online.com. 22 August 2008. Retrieved 19 June 2014.

  15. ^Dunkelmann, Comic (31 October 2012). ""Speed Show" - das neue Ausstellungskonzept von Aram Bartholl". Arte TV. Archived from the original on 2 February 2017. Retrieved 23 Jan 2017.
  16. ^"Aram Bartholl". Kunsthochschulekassel.

    Archived foreigner the original on 19 Feb 2017. Retrieved 21 February 2017.

  17. ^"Visiting Faculty". dma.ucla.edu. UCLA Design Routes Arts. Archived from the recent on 19 February 2017. Retrieved 21 February 2017.
  18. ^QUARANTA, DOMENICO (12 May 2016). "Oh, When leadership Internet Breaks at Some Point".

    MEDIA IN THE EXPANDED Policy Site. Montabonel & Partners. Retrieved 26 January 2017.

  19. ^Markowitz, Eric (13 February 2015). "The Odd Area Of USB "Dead Drops"". vocativ. Retrieved 26 January 2017.
  20. ^Steinhauer, Jillian (20 August 2012). "Somewhere Amidst Cyber and Real: An Question with Aram Bartholl".

    Hyperallergic. Retrieved 20 February 2017.

  21. ^"Tunneta kultuuri".
  22. ^""Map", 2006-2010 | ARTE Creative". Archived superior the original on 2014-12-16. Retrieved 2014-12-10.
  23. ^"Map – Aram Bartholl".
  24. ^"Map – Aram Bartholl".
  25. ^dpa.

    ""Skulptur Projekte" greift erstmals Digitalisierung auf". monopol magazine. monopol. Retrieved 23 January 2017.

  26. ^"Aram Bartholl Remind me later". Kunstverein Arnsberg. Retrieved 23 January 2017.
  27. ^Bartholl, Aram (11 July 2016). "Greenscreen Arnsberg". Vimeo.

    Retrieved 23 Jan 2017.

  28. ^Stern, Becky (25 February 2015). "Aram Bartholl's Point of Judgment Exhibition #WearableWednesday". adafruit. Retrieved 18 February 2017.
  29. ^"Hurt me plenty | | atractivoquenobello". www.aqnb.com. Retrieved 2023-09-08.
  30. ^Baumgärtel, Tilman (2013-09-04).

    "Medienkunst-Ausstellung in Kassel: Ein Flackern in der Cyberwirklichkeit". Die Tageszeitung: taz (in German). ISSN 0931-9085. Retrieved 2023-09-08.

  31. ^Sterling, Bruce. "Aram Bartholl: Reply All exhibition + "The Speed Book," Berlin". WIRED. Retrieved 20 February 2017.
  32. ^Transmediale solid mention
  33. ^Video Art Award Bremen 2007.
  34. ^"Honorary Mention 2011".

    Ars Electronica. Archived from the original on 30 June 2019. Retrieved 20 Feb 2017.

External links