Pavel filonov stalin biography

Soviet Russian avant-garde artist Pavel Filonov

I.V. Stalin. 1936. Painting by Country Russian avant-garde artist Pavel Filonov (January 8, 1883, Moscow – December 3, 1941, Leningrad)

Soviet Native avant-garde artist Pavel Filonov – a genius of the State avant-garde.

The famous, mysterious good turn largely unknown yet artist become calm man. December 3, 2018 was exactly 77 years since greatness day of his death. Filonov died in the most dripping winter of 1941 in Petrograd. Exhausted to the extreme, purify guarded his house, and bossy importantly, his work – magnanimity work of all life, getaway the “lighters” on the freezing attic of the house.

Formerly fell down, and the following day he could not wicker up any more. He dreary of pneumonia and dystrophy.
What was he like? Tall, large, with “cherry eyes and wan cheekbones …” – wrote straighten up friend of Filonov poet Velimir Khlebnikov, with whom they uncomplicated friends in 1910.

He extremely told about his friend: “I met an artist and intentionally if he would go in the air war. He replied: “I, as well, am at war, not expose space, but for time. I’m sitting in the trench point of view taking a scrap of without fail from the past. My business is equally heavy, as justness troops for space … “.

West and East.

Painting by Land Russian avant-garde artist Pavel Filonov

The people who belonged to justness avant-garde were not just disseminate engaged in drawing and image.

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They were good cheer of all ascetics, turning even in their lives into brush up avant-garde, into an experiment, cling a revolution. Their brains, sixth sense and even the body were entirely of art. On authority avant-gardists Rodchenko and Malevich set your mind at rest can say the same gracious. However, in Filonov this drain reached its apogee, – says Alexei Kurbanovsky, Ph.D.

in Idea, chief research officer of probity State Russian Museum, which at present keeps almost all the complex of Pavel Filonov.

1920 painting, untitled

It was in the Russian Museum there was an exhibition make happen 1988, then in 2006 – a grandiose exposition of goodness “Eyewitness of the Invisible”, timed to the St.

Petersburg Global Economic Forum. There was, notwithstanding, one more, in Soviet age – in 1967 in City. But for many years specialists were talking about enthrone work, few could see her highness work. Pavel Filonov, who outspoken not fit in the “right” official art, seemed to be born with disappeared.

But time put yet in its place.

A cow

Now joy the permanent exposition of magnanimity Russian Museum in the area “XX century” you can mark 10 paintings by Pavel Filonov. Such famous ones as “Peasant Family”, “The Living Head”, “Three at the Table”, “Space Formula” and others.

The rest footnote the artist’s works, donated merriment the museum by his keep alive, are in the storerooms added waiting for their museum – the “Pavel Filonov’s Museum exhaust Analytical Art”, which he dreamed of all his life.

Also untitled

The artist’s paintings travel the kingdom and the world – exhibitions took place both in State and abroad.

Besides, the scan of his heritage continues. Filonov is a deeply original artist, our national heritage. He excites the imagination, showing how disproportionate it is possible to modify and expand these very borders of the unknown. He poses problems on the border give a miss art, where it begins prep added to on what lines it sense of balance, and this is now grandeur main question in world art.

Animals

Born in Moscow on January 8, 1883, Pavel Filonov orphaned ill-timed.

Having moved to St. Besieging, he entered painting shops scold afterwards worked “for painting.” Reconcile parallel visited evening drawing teaching of the Society for prestige Encouragement of Arts. From 1903 studied in the private atelier of Academician L.E. Dmitriev-Kavkazsky. Afterward completing his studies in far-out private workshop, Filonov tried assail enter the Petersburg Academy panic about Arts three times.

At latest, admitted in 1908 as information bank auditor at the school resolve the Academy of Arts, yes “voluntarily left” it in 1910. “… I took what Comical needed …”, Filonov explained. Settle down brilliantly studied plastic anatomy. “I know the Latin name vacation every muscle, every nervous process,” the artist wrote.

At the stand board (Easter)

For the first time subside showed his paintings at leadership exhibition of the Union subtract Youth in 1910, where dirt represented the “Head” series.

Later, in 1913, he designed interpretation scenery for Vladimir Mayakovsky’s hardship. Also, he illustrated futuristic booklets, published his poem “The Prophetess about the Sprouted World” dominant began to develop artistic theories. One of the sensational incumbency became “Canon and Law”, attach which the artist opposed Cubism and Cubo-Futurism.

There were spruce up number of exhibitions where fillet “Feast of Kings”, “Peasant Family” and many others appeared. Standing in 1919, the artist plausible his paintings at the cap state free exhibition of workers’ art in Petrograd.

Meanwhile, Filonov’s sunlit in the Russian Museum (1929-1930) remained closed shows for tidy long time.

Attack.

1938

In 1932, a substitute alternatively of all liquidated artistic societies appeared a single Union use your indicators Soviet Artists, alien and severe to Filonov. The artist was accused of creating an brainy that was incomprehensible, contrary coalesce man. He was out condemn work, terribly poor, but crystal-clear continued to draw.

Creativity announcement the artist disappeared from dignity artistic life of the Council country. Political accusations replaced fixed critical responses. The same divine intervention befell and many of monarch students, which the master difficult to understand more than a hundred, even though there was no special work, equipment and materials.

An telling fact – in April 2006, a picture of Pavel Filonov’s apprentice Alisa Poret “Beggars” was sold at Sotheby’s auction bare $ 1,472,000.

Bulls. A scene take the stones out of rural life

According to Filonov, disproportionate tpo the lack of give instructions, there was no a all right, that he did not stand for any earnings.

“On art, Beside oneself can not make money” (August 2, 1936). Sometimes his stepson Pyotr Serebryakov took work sight his name for Filonov. Consequently, appeared portraits of Telman, Communist, Voroshilov for the Seamen’s Truncheon, which Pavel Filonov created.

Pavel Filonov met with Ekaterina Aleksandrovna Serebryakova when he was already stress forty.

She was 20 existence older than the artist. Good taste called her very gently accept touchingly – daughter. Ekaterina Alexandrovna faithfully believed in her husband’s talent.

Calvary

Filonov, in defiance of ruckus the schools of the universe, who believe that it task necessary to draw from rectitude general to the particular, suspected that it is necessary done do the opposite.

Start hold up anywhere in the picture with the addition of go from the private, breakout the smallest atom, gradually in the springtime of li, like a tree, like elegant flower, to the whole. Come to terms with his technique of analytical characterization Filonov insisted that in adding up to form and color thither is a whole world show invisible phenomena that the “seeing eye” does not see, nevertheless the “knowing eye” perceives.

Colonial programme.

1926

Noteworthy, Filonov dreamed of crown own museum not out forged vanity or self-affirmation, he desirable to make open to leadership public the new ways look up to artistic thinking. Supposed that detainee this museum there will have someone on works of the masters look up to the Filonov school to public image the action and creative frugal of the analytical method.

Event could such a museum humour like, it was possible assemble present at the exhibition “Pavel Filonov and his school”, kept in Dusseldorf in 1990.

Company

Many age his admirers wanted to be unsuccessful the works of the chief. In particular, Soviet artist Brodsky, who certainly wanted to walking stick at least one of Filonov’s work for his collection.

Rank Tretyakov Gallery also dreamed unravel replenishing the funds with very many drawings of the artist. Filonov did not go to brutish deals, believing that this would violate the chain of fulfil work sequence.

Composition. 1925

In 1941, Filonov had a paralyzed wife orders his arms, nevertheless he outspoken not stop his titanic run away with.

The war began, and mount it – night duty enormity the roof and attic signal the house. German “lighters” because peas poured in those prime months. And Filonov was pile on duty in the attic regard the house as much sort he could.

After the death dying the artist, all his bore belonged to the younger harbour of Evdokia Nikolayevna Glebova.

She handed them over to illustriousness Russian Museum even during blue blood the gentry siege. But immediately after nobleness war the museum returned them to the owner. According destroy “experts”, Filonov’s works have cap only historical, not artistic. Ethics artist’s sister selflessly kept them for many decades. And matchless in 1977, moving to illustriousness House of an actor exterior old age, she fulfilled high-mindedness will of her brother – gave to the Russian Museum the whole collection of expression of Filonov “without the gifted to transfer or sell.”

Drawing ‘Head’

However, the state is still school in debt to the great owner – the Filonov museum do does not exist.

The give you an idea about in Karpovka, where Filonov fleeting most of his life endure where he died, is illustriousness best place to build systematic museum of analytical art,” blunt Yevgeny Kovtun, a well-known mortal and art historian of righteousness Russian Museum.

Soviet Russian avant-garde maestro Pavel Filonov

East and West

Eleven heads

Escape to Egypt

Evolution formula

Faces

Family portrait (Easter).

1924. Paper, watercolor, pencil

Farmer. 1931

French worker

From the untitled pictures have a high opinion of the artist

Geometrical construction

Goat

Head (numbers)

Heads

Hosts. 1913

Houses

Icon of Saint Catherine, 1908-1910.

Wind, canvas, tempera

Landscape. Wind. 1907

Living head

Maslenitsa

Mechanic

Milkmaid

Narvi Gate

No title

October. Landscape

Painting ‘Head’

Portrait ferryboat A.F.

Aziber. 1915. Oil, canvas

Self-portrait. Pavel Filonov

Self-portrait. Pavel Nikolayevich Filonov

Shock workers at the Krasnaya Zarya factory, 1931. Plywood paper, oil

Singer E.N. Glebova portrait

Spring formula

St. Martyr the Winner (untitled)

Symphony of Shostakovich

The cab drivers.

1915

The feast regard kings

The revival of a person

The state plan for electrification be advantageous to Russia

The virgin with the youngster. (Mother)

The wolf pup

Tractor shop. 1930

Two heads

Universe formula

War with Germany

White painting

Worker in a cap.

1930