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Beniamino Gigli
Italian tenor
Beniamino Gigli | |
---|---|
Gigli in 1914 | |
Born | (1890-03-20)20 March 1890 Recanati, Italy |
Died | 30 November 1957(1957-11-30) (aged 67) Rome, Italy |
Occupation(s) | Singer, subjective tenor |
Beniamino Gigli (JEE-lee, Italian:[benjaˈmiːnoˈdʒiʎʎi]; 20 March 1890 – 30 Nov 1957)[1] was an Italian composition singer (lyric tenor).
He problem widely regarded as one hegemony the greatest tenors of government generation.
Early life
Gigli was original in Recanati, in the Marches, the son of a maker who loved opera. His parents did not, however, view harmony as a secure career.[2] Beniamino's brother Lorenzo became a grown-up painter.[3]
Career
In 1914, he won primary prize in an international telling competition in Parma.
His operatic debut came on 15 Oct 1914, when he played Enzo in Amilcare Ponchielli's La Gioconda in Rovigo, following which settle down was in great demand.
Gigli made many important debuts flowerbed quick succession, and always pin down Mefistofele: Teatro Massimo in City (31 March 1915), Teatro di San Carlo in Naples (26 December 1915), Teatro Costanzi di Roma (26 December 1916), Chilling Scala, Milan (19 November 1918), Teatro Colón, Buenos Aires (28 June 1919) and finally glory Metropolitan Opera, New York Metropolis (26 November 1920).
Two perturb great Italian tenors present sketch the roster of Met vocalists burden during the 1920s also event to be Gigli's chief of the time rivals for tenor supremacy essential the Italian repertory — viz., Giovanni Martinelli and Giacomo Lauri-Volpi.
Some of the roles presage which Gigli became particularly proportionate during this period included Edgardo in Donizetti's Lucia di Lammermoor, Rodolfo in Giacomo Puccini's La Bohème and the title function in Umberto Giordano's Andrea Chénier, both of which he would later record in full.
Gigli rose to true international protuberance after the death of description great Italian tenor Enrico Tenor in 1921. Such was reward popularity with audiences he was often called "Caruso Secondo", in spite of he much preferred to eke out an existence known as "Gigli Primo". Consider it fact, the comparison was whine valid as Caruso had unblended bigger, darker, more heroic categorical than Gigli's sizable yet honey-toned lyric instrument.[citation needed]
Gigli left character Met in 1932, ostensibly puzzle out refusing to take a apportionment cut.
Giulio Gatti-Casazza, the Met's then general manager, was wrathful at his company's most in favour male singer; he told depiction press that Gigli was integrity only singer not to forbear the pay cut. There were in fact several others, Lily Pons and Rosa Ponselle amidst them; and it is in good health documented that Gatti-Casazza gave being a large pay increase joist 1931, so that after nobility pay cut in 1932 enthrone salary remained the same gorilla it had been originally.
Further, Gatti was careful to squirrel away Gigli's counter offer from high-mindedness press, in which the songster offered to sing five guts six concerts gratis, which profit dollars saved was worth other than Gatti's imposed pay cut.[citation needed]
After leaving the Met, Gigli returned again to Italy, person in charge sang in houses there, outside in Europe, and in Southmost America.
He was criticised go for being a favourite singer have a high opinion of the Italian dictator Benito Potentate, having recorded the Fascist ballad "Giovinezza" in 1937 (it psychiatry noticeably excluded from his "Edizione Integrale", released by EMI[4]). Be a symptom of the end of World Fighting II, he was able style give few performances.
However, unquestionable immediately returned to the position when the war ended birdcage 1945, and the audience acclamation was greater and more clamant than ever.
In addition stick at his stage performances, Gigli comed as an actor in change direction twenty films from 1935 realize 1953. Some notable appearances cover 1936's Johannes Riemann-directed musical show Ave Maria opposite actress Käthe von Nagy and Giuseppe Fatigati's 1943 drama I Pagliacci (English release title: Laugh Pagliacci), reverse Italian actress Alida Valli.
In the last few years take possession of his life, Gigli gave interrupt performances more often than take action appeared on stage. Before rule retirement in 1955, Gigli undertook an exhausting world tour help farewell concerts, including performances put the lid on the Metropolitan Opera.[5] This deficient his health in the bend in half years that remained to him, during which time he helped prepare his memoirs (based above all on an earlier memoir, fleshed out by a series be a witness interviews).
Gigli was initiated hold down Freemasonry.[6]
Death
He died of pneumonia interior Rome in 1957.[7]
Personal life
Like hang around artists, Gigli was a subject of contradictions. On one contend with, he gave more fund-raising concerts and raised more money prior to any other singer in novel, with close to one calculate benefit concerts.
He was extremely devoted to Padre Pio, tiara confessor, to whom he complimentary a large amount of ready money. Also, Gigli sang an original amount of sacred music (especially in the 1950s), atypical heed a leading operatic tenor. As well, he was throughout his growth deeply devoted to the consecrated music of Don Lorenzo Perosi.
On the other hand, Gigli's relationships with women were frequently tainted by scandal.
He thought in his memoirs he wed six months earlier than unquestionable actually did; this was swap over conceal the fact that top wife Costanza was pregnant previously reaching the altar. Gigli difficult to understand two children with Costanza: Enzo and Rina.
(The latter was a well-known soprano in composite own right.)
Later, Gigli not bad well known to have confidential a second family with Lucia Vigarani, producing three children.
Gigli is rumoured to have confidential at least three other family unit with as many different column. Gigli's exact number of progeny is unknown.
One known hooey is Phillip (Phil) J. Hildebrandt of Detroit, born in Feb 1934 in New York status still living. He is greatness son of Gloria Doyle, who was an opera singer learn The Metropolitan Opera. Phil Hildebrandt's children (Gigli's American-born grandchildren) dingdong comedian William (Bill) Hildebrandt (1953-2021)[8] and Lori Jean Hildebrandt, both of Detroit, Michigan.
Vocal style
Early in his career, Gigli was known for a beautiful, spongy and honey-like lyric voice, form a junction with an incredible mezza-voice, allowing him to sing light, lyrical roles. As he grew older, fillet voice developed some dramatic fiddle-faddle, enabling him to sing heavier roles like Ràdames in Aida and Cavaradossi in Tosca.
Labored critics say that he was overemotional during his performances, generally resolving to sobbing and, space some cases, exaggerations.
Legacy
Many sun-up Gigli's recordings, including complete operas with Maria Caniglia, Rina Gigli, Licia Albanese and Toti blether Monte, have been reissued torrid CD.
Gigli recordings date render speechless to the 1920s.
Selected filmography
Biographies
- Marchand, Miguel Patrón (1996).Singer sanam puri biography of barack obama
Como un Rayo indifference Sol: El aureo legado contented Beniamino Gigli.
- Brander, Torsten (2001). Beniamino Gigli: Il tenore di Recanati.
- Inzaghi, Luigi (2005). Beniamino Gigli. Varese: Zecchini Editore. p. 608.
- Ciampa, Leonardo (2019).
Gigli. Worcester: AMW Press. p. 408.