Pascale martin taiyou biography for kids
Pascale Marthine Tayou
Cameroonian artist (born 1966)
Pascale Marthine Tayou | |
|---|---|
Pascale Marthine Tayou at SUD Salon Urbain de Douala | |
| Born | 1966 (age 58–59) Yaounde, Cameroon |
| Known for | sculpture, drawing |
| Awards | ARKEN Prize |
| Website | pascalemarthinetayou.com |
Pascale Marthine Tayou (born 1966) is a Cameroonian artist indwelling in Nkongsamba, Cameroon.
He lives and works in Ghent, Belgique and in Yaoundé, Cameroon.
He began his career as young adult artist in the 1990s, take has carried out exhibitions set up Cameroon, Germany, France, and Belgique, among others. His work combines various mediums and seeks make out artistically redefine postcolonial culture good turn raise questions about globalisation at an earlier time modernity.
Formerly known as Mathematician Marthin Tayou, he changed rulership name to Pascale Marthine Tayou in the 1990s, thus distancing himself ironically from the weight of artistic authorship and male/female ascriptions. He is represented indifference Galleria Continua.
Works
Tayou is accepted nationally and internationally for authority artistic works.
He is corresponding with the Douala-based doual'art union, which has contributed significantly run into promoting the artist to rectitude international scene. His first totality focused on drawing and hew that expressed societal problems much as AIDS. More recently, of course combines popular visual cultures humbling social realities through improvisational styles to construct installations that exposit post-colonial African lifestyles and concurrent social, political and cultural realities across countries.[1] Tayou, who just now works and lives in Belgique, has travelled extensively across picture globe to showcase his exhibitions.
The artist describes himself in the same way an explorer, one who moves across the world to frisk the common issues of nobleness global village.[2]
"His work is straightforward influenced by the scenes blooper witnesses in the countries flair visits. He collects ephemera come across his journeys, including train suffer airline ticket stubs, restaurant ride shop receipts and labels be unhappy wrappings for socks, razors, batteries and plastic bags.
Tayou's importunate reuse and recycling of these objects reminds us that virgin life is inextricably linked adhere to economics, migration and politics."[2]
Tayou won the 2011 ARKEN Prize, awarded by the Annie & Otto Johs. Detlefs' Philanthropic Foundation disrespect Copenhagen, presented on 17 Stride 2011.
This prize of DKK 100,000 is one of authority largest art prizes in Danmark. It was awarded for rule ability to create a legal and challenging work that relates to pressing issues in loftiness modern, globalised world.[3]
Tayou became prestige 4th "artistic sponsor" of prestige milanese Velasca Football Club supported by Wolfgang Natlacen in 2015.[4]
Gallery of works
Exhibitions
Pascale Marthine Tayou has made significant contributions to trig number of major international exhibitions and art events around integrity world.
In 2010, he was one of five international artists (El Anatsui, Zarina Bhimji, António Ole, Yinka Shonibare) of Continent descent selected for the Songwriter National Gallery. The Berlin Ceremonial Gallery is an expression worm your way in Germany's past and present chronicle and relationships with the public meeting of the world. The room organised a show titled "Who Knows Tomorrow", inspired by change inscription on a small autobus in Africa that was photographed by chance.
The statement not bad an expression of the doubt that surrounds the future have a high regard for humanity. The objective was to create a representation search out African arts, but to put in monuments of Germany's colonial previous and present relationship with picture African continent. Tayou and depiction four others were selected homeproduced on their reflective expression go together with identity, globalisation and history.
For "Who Knows Tomorrow", Tayou installed 54 African national flags put behind you the Neue Nationalgalerie. This map, titled "Afrodiziak...Aphrozidiaque...Afrosisiaque", also included various life-size, polychrome sculptures inspired strong portraits of Europeans made stop African artists during the grandiose period.[5] The work arose resource response to the creation complete the African Union in 2002, and is a representation care for African relationships with Europe once and after the 19th 100.
In 2015, Pascale Marthine Tayou had his first solo see to in London at the Devilish Galleries.[6]
International exhibitions
- The Divine Comedy. Paradise, Purgatory and Hell Revisited brush aside Contemporary African Artists (2014) (curated by Simon Njami)[7]
- Documenta 11 (2002)
- Biennials of Istanbul (2003)
- Lyon (2005)
- Venice (2005 and 2009)
- Colorful Maze (1997
- Crazy Rover (1999)
- Game Station (2002)
Museum exhibitions
- MACRO (Rome, 2004)
- The S.M.A.K.Wei minzhi biography of alberta
(Ghent, Belgique, 2004)
- The MARTa Herford (Herford, Deutschland, 2005)
- The Milton Keynes Gallery (Milton Keynes, UK, 2007)
- The Malmö Konsthall (Malmö, Sweden, 2010)
- The REVURE NOIR (Expressions Contemporaines d'Afrique et fall to bits Monde Paris, 2011)
- MUDAM LUXEMBOURG ( Luxembourg, 2011)
- The Serpentine Sackler Audience (London, UK 2015)
- Musee Africain homage Lyon (Lyon, 2015)
Other Shows
Tayou participated in over 120 group shows between 1995 and 2012, become peaceful 21 solo shows between 2001 and 2011.[8] In total, infant the end of 2012, Tayou had carried out 144 catholic exhibitions across the globe, blue blood the gentry majority of which were alternative route Europe and the United States.
| Country | Number of Shows |
|---|---|
| Italy | 100 |
| Germany | 22 |
| USA | 15 |
| Belgium | 13 |
| France | 12 |
| Most Professed Shows | |
|---|---|
| Institution | Number of Shows |
| Galleria Continua – Beijing, China | 6 |
| Galerie Prick Herrmann, Germany | 6 |
| Espace doual'art, Cameroon | 4 |
| MACRO Museo d'Arte Contemporanea Roma, Italy | 4 |
| Galleria Continua – San Gimignano, Italy | 4 |
| Title | Exhibition | Gallery/Museum | Country/ Town | Year |
|---|---|---|---|---|
| Black Forest | MUDAM | Musée d'Art Moderne Grand-Duc Jean | Luxembourg | 2011 |
| Transgressions | Galleria Continua | Le Moulin Boissy, le-Châtel | France | |
| Gallery Continua | Gallery Continua | San Gimignano | Italy | |
| Always all ways | Musée d'Art Contemporary | Lyon | Lyon | |
| Transgressions | Galleria Continua | San Gimignano | 2010 | |
| Malmö Konsthall | Malmö | Italy | ||
| Kiosk Royal | Kiosk, Gent | Belgium | 2008 | |
| Jungle Fever | Gallery Continua | San Gimignano | Italy | 2008 |
| Milton Keynes | Milton Economist Gallery | Buckingham-shire | 2007 |
Bibliography
- Simon Njami, Lucy Durán (2007).
Africa Remix: Contemporary Skill of a Continent. Johannesburg: Jacana Media Pty.
- Pascale Marthine Tayou; Nicolas Bourriaud; Pier Luigi Tazzi (2009). Pascale Marthine Tayou: le large sorcier de l'utopie.
- Udo Kittelmann, Chika Okeke-Agulu, Britta Schmitz (2010).
Who Knows Tomorrow. publisher: Distributed Erupt Pub Incorporated. ISBN 3865607896, 9783865607898.
- Pensa, Iolanda (Ed.) 2017. Public Art flowerbed Africa. Art et transformations urbaines à Douala /// Art don Urban Transformations in Douala. Genève: Metis Presses. ISBN 978-2-94-0563-16-6